Just What The Seeres Ordered
Live-MC, unreleased
Recorded at "House of Youth", Hagen, Germany, October 22nd, 1983
SMVA 8301
►Cover ↨
Recorded at "House of Youth", Hagen, Germany, October 22nd, 1983
SMVA 8301
►Cover ↨
Tracks
Seven Tears ►Lyrics|
(Tale Of A) Giant Man ►Lyrics|
Give Me Hands ►Lyrics|
Thank The Aerosmith ►Lyrics|
Thor ►Lyrics|
Gonna Swing My Chariot ►Lyrics|
Engine's Working Hard ►Lyrics|
The Seal Of Jidda ►Lyrics|
Long Cool Nights ►Lyrics|
Running With The Fighters ►Lyrics|
Precious Metal ►Lyrics|
Let's Spend The Night Together (Jagger/Richards)
(Tale Of A) Giant Man ►Lyrics|
Give Me Hands ►Lyrics|
Thank The Aerosmith ►Lyrics|
Thor ►Lyrics|
Gonna Swing My Chariot ►Lyrics|
Engine's Working Hard ►Lyrics|
The Seal Of Jidda ►Lyrics|
Long Cool Nights ►Lyrics|
Running With The Fighters ►Lyrics|
Precious Metal ►Lyrics|
Let's Spend The Night Together (Jagger/Richards)
Line-Up
SAMAIN Mk. II
►Peter Ancaster - Vocals
►Fred Bertram - Guitar
►Bernard Eams - Bass & Backing Vocals
►Peter Hennig - Drums
►Dave Herod - Lead Guitar
►Peter Ancaster - Vocals
►Fred Bertram - Guitar
►Bernard Eams - Bass & Backing Vocals
►Peter Hennig - Drums
►Dave Herod - Lead Guitar
Credits
Produced by Peter Fahl & Ralf Wiethoff
Engineered by Peter Fahl
Artwork by Howard Johnson
Cover Concept by Peter Miñoza
Engineered by Peter Fahl
Artwork by Howard Johnson
Cover Concept by Peter Miñoza
Remarks
Der Mitschnitt des Konzertes vom 22. Oktober 1983 in Hagen-Haspe war (und ist) nicht für eine Veröffentlichung vorgesehen. Die MC besaß daher auch kein Cover resp. eine Illustration. Für seine private Samain-Sammlung ließ Peter (Miñoza) in den 1990er Jahren ein erstes Artwork erstellen, das wie From Now Till Doomsday auf dem Gemälde "Hexensabbath" von Giuseppe Cicios beruhte, jedoch einen anderen Ausschnitt zeigte. Letztendlich entschied sich Peter für eine Arbeit von Howard Johnson.
The live recording of the gig on October 22nd 1983 in Hagen-Haspe wasn't (and is) intended to be published. Therefor there had been no cover or any illustration. In the 1990ies Peter (Miñoza) let an artwork be created for his private archive. It based on a painting by Giuseppe Cicios ("Witch-Sabbath") as on From Now Till Doomsday, but eventually decided for an artwork by Howard Johnson.